Gustavo Dudamel

Mentioned 4 times across 1 podcast this week

This Week's Pulse

Gustavo Dudamel recently concluded a high-profile series of performances with the New York Philharmonic at Lincoln Center and Washington Heights, showcasing the Spanish Harlem Orchestra.

On Freakonomics Radio, hosts and guests reflected on the intensity of these rehearsals. One observer noted, "It was also interesting watching Gustavo Dudamel up close. He was really into it. I mean, he was really inside the piece." Composer David Lang recalled the pressure of the conductor's meticulous process, noting, "Gustavo was asking for detailed notes about every movement, and this sent me into a little bit of a terror."

Despite the high stakes of the world premiere, the collaborative atmosphere remained surprisingly collaborative. Stephen Dubner remarked on the lack of ego in the room, asking, "what surprised me, I'll be honest, was how I'd say 99% of the time you'd give them a big thumbs up and say, 'Beautiful. It's beautiful.'"

Following his work in New York, Gustavo Dudamel has turned his attention to Los Angeles, where the Los Angeles Philharmonic has announced he will transition into the roles of Artistic and Cultural Laureate and Founding Director and Conductor Laureate of YOLA as he begins rehearsals for Wagner's Die Walküre.

Where it's discussed

674. How Does a Composer Feel After the World Premiere?

Freakonomics Radio

Speaker 4positivefrom “The Aftermath of a World Premiere

The conductor for the performances of the new piece.

This is the kind of piece the Philharmonic should be doing. It was also interesting watching Gustavo Dudamel up close. He was really into it. I mean, he was really inside the piece.

David Langpositivefrom “Composer Reflections on Performance and Patronage

The music and artistic director leading the rehearsals and performances.

There was one moment on one day of rehearsal, though, where Gustavo was asking for detailed notes about every movement, and this sent me into a little bit of a terror because I realized he was gonna go, "Movement one, what are your comments? Then movement two,

Stephen Dubnerpositivefrom “The Creative Process of a World Premiere

The conductor of the orchestra who collaborated with the composer during rehearsals.

And you're, you know, unless something'd gone really wrong during rehearsals, you were gonna be alive [chuckles] at the end of it. And I was very curious to see how un-diva-like you were. Both the conductor of the vocal chorus and then the conductor of the orc

Matías Tarnopolskypositivefrom “The Creation and Impact of David Lang's Wealth of Nations

A key collaborator and conductor involved in the project.

It made sense as we were approaching the 250th birthday of America as an organization that is approaching itself almost 200 years, to think, "How are we going to recognize this moment in not just American history, but global history through what we do, which i