Wynton Marsalis

Mentioned 2 times across 1 podcast this week

This Week's Pulse

Carnegie Hall announced that the premiere of Wynton Marsalis's Symphony No. 5 (“Liberty”) has been postponed, even as the Lincoln Center for the Performing Arts named him their 2026-2027 Visionary Artist.

While the concert news dominates the headlines, In Our Time recently revisited the musician's protective stance toward classical canon. Larry Sazzo noted that Wynton Marsalis famously blocked a jazz arrangement of Handel's Messiah because he said, "I don't wanna do this because I don't want to desecrate the Messiah."

The debate over musical purity continues, with Misha Glenny offering a counterpoint to that rigid traditionalism. While acknowledging the Wynton Marsalis position, Glenny argued on In Our Time that there is a "communality between what Handel was trying to do and the tradition of gospel." As the Lincoln Center series approaches in June, observers will be watching to see if his new work reflects this tension between sanctity and reinvention.

Where it's discussed

Handel's Messiah

In Our Time

Larry Sazzoneutralfrom “Religious Skepticism and the Controversy of Handel's Messiah

Refused to participate in a jazz version of the Messiah due to concerns about desecration.

I will contextualize it in that Mervyn Warren had said that they were gonna do a version of The Trumpet's Shall Sound with Dizzy Gillespie and Wynton Marsalis. One of the great what-ifs of history would've been if that happened, and Wynton Marsalis said, "I do

Misha Glennyneutralfrom “Analysis of Handel's Messiah and its Cultural Legacy

Mentioned as having expressed concern about potentially desecrating Handel's work.

You also mentioned the Win- Wynton Marsalis saying that he didn't want to desecrate the work, y- and you briefly referred to the Quincy Jones Soulful Celebration. I listened to that in preparation for the program. I have to say it's a spectacular piece of work